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by
Klaus Labuttis of
www.famous-classics.com
The German Bauhaus Movement had an important impact on the
development of Design and Architecture in the twentieth century. It was truly avant-garde
in it’s techniques and ideas.
Beginning of Design
Does the word "Bauhaus" create any images in you? You probably heard many things
about architects like Le Corbusier or Mies van der Rohe. Maybe you even posses the Lounge
Chair LC4, the ultimate "rest machine" or you sat just the other day in a
Barcelona chair when you had an appointment with this important company.
Yes indeed, above all the aspects of the Bauhaus Design and
Architecture Movement, the furniture design reveals many crucial aspects of their
avant-garde status. The work of those architects and designers has had an impact far
beyond the circles of the audience for whom it was intended. The furniture especially
reveals this in a very clear and perceivable way, a design still influencing our
perception of beauty and usability to these days.
New Education
The Bauhaus was the most influential art, craft and design school of the 20th century. The
Bauhaus teachers were highly influential people. Artists such as Paul Klee, Wassily
Kandinsky and Lászl Moholy-Nagy taught alongside architects and designers such as Walter
Gropius and Marcel Breuer. They believed that students should be able to exercise
different disciplines, from graphics to architecture. Every student needed a combined
practical and theoretical education, which at the time was quite revolutionary. The aim
was to produce work that unified intellectual, practical and aesthetic concerns through
artistic endeavor and the exploitation of new technologies. All this should lead to a
successful integration of design theory with the industrial process.
The New Way of Living
The impact of the horrible experiences in the First World War, poverty and
inflation created a new consciousness, which influenced strongly Design, Architecture and
Art. The Bauhaus reacted to this social change by creating an aesthetic relevance to the
requirements of the time. Bauhaus protagonists wanted to bridge the gap between the social
idealism and the commercial reality and to promote a response to the emerging
technological culture. The "New Man" became the ideal, a concept that also
expressed itself in living. The Bauhaus Design showed a simplicity with emphasis on
straight edges and smooth, slim forms. The rooms were sparsely furnished, but filled with
hygienic freshness. Superfluous features were taboo. Shining steel was discovered as a
material for furniture. The aim was to take advantage of the possibilities of mass
production to achieve a style of design that was both functional and aesthetic. Objects
were to be designed to have "simplicity, multiplicity, economical use of space,
material, time and money which looks as modern as anything in production today.
Furniture
A principle of the Bauhaus was to serve the development of contemporary housing, from the
most basic household equipment to the complete house.
Technology was key for the Modernists. Followers of the Bauhaus
School saw the machine as an extension of the hand. In fact, even though the early Bauhaus
furniture was handmade, it was designed to suggest industrial production. Le Corbusier’s ultimate aim was to allow man, machine and nature to co-exist in a state
of equilibrium. The result was a kind of machine-age-classicism, where "the house is
a machine for living" and "the chair is a machine for sitting in".
Marcel Breuer is truly the pioneer in finding new ways to produce
furniture. It is said he got the idea of making tubular metal furniture from the
handle bar of his bicycle. For him tubular steel with leather or fabric were as
comfortable as good upholstered furniture, but lighter, cheaper, less bulky and more
hygienic. The idea behind this new aesthetics was to build cheap and beautiful homes, were
the cool and durable materials of the furniture would create a new type of beauty.
Traces in the US
The Bauhaus school existed not even 15 years before it was shut down by the Nazis. Most of
the artists went to the US and there they had great success.
Although the Bauhaus was a product of a social ideology, these
aspects became in America less and less important and in the end the Bauhaus ideas became
fully stripped of their ideological guise.
Walter Gropius taught in Harvard and many important architects
went through his lectures, like Philip Johnson, later Director of the MoMA in New York.
Mies van der Rohe became the head of the architecture department at the Illinois Institute
of Technology and many other former Bauhaus disciples became quite successful as
architects and designers in postwar America. Charles Eames is an example how strong the
influence of the Bauhaus design and architecture was. On his honeymoon to Europe he saw in
1928 buildings by Mies v.d. Rohe, Le Corbusier and Walter Gropius. Later Eames described
the effect as electrifying jolt to his sensibilities, like "having a cold hose turned
on you."
Klaus Labuttis of
www.famous-classics.com
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